People often have a lot to say against public transport in London, and it’s easy to see why. It’s expensive, it’s often late, it’s susceptible to breakdowns almost as frequently as they suspend it for maintenance work. In summer, particularly, it can be almost unbearable, yet many of us are possessed of a singularly British reluctance to show to anyone that we object to the sweaty fellow who insists on holding the handle and pushing his armpit in your face. It’s passive-aggressiveness without the aggressiveness.
That said, there are few things that make a person appreciate the relative merits of British public transport more than trudging back home in the rain from a station in the Austrian countryside because the next train isn’t for another 90 minutes. I now feel I can make that statement with some degree of confidence.
The music in this hotel has moved from the sublime to the ridiculous; I thought the apex of strangeness had been reached a few nights ago when our ears were treated to the dulcet tones of Bavarian yodelling, but earlier today I found myself listening to something that seemed to tug at the memory. The tune sounded familiar but I couldn’t place the words, and then I realised: the song was You’re The One That I Want from Grease – in German. Perhaps I’m alone in this, but I’ve become far too accustomed to hearing English music on foreign radio that this took me completely by surprise. To me, this was tantamount to seeing The Simpsons or Scrubs in German (which, incidentally, have both been on the TV this week)!
I created a new page for links to groups and people with whom I’ve played – at the moment there’s only the UCLU Jazz Society and Thames Youth Orchestra, but I’ll be adding more to it soon. Until then – farewell!